The Japanese Replica Home of Beatrix Potter

Beatrix-Potter-replica-home

Beatrix Potter’s work is highly popular in Japan as her stories were translated into Japanese relatively early on with the first translation released in 1917. Potter’s stories were used to teach English primarily but also served to entertain young children which is why her works are considered culturally important in Japan. A replica of Potter’s English countryside home has been erected in Tokyo, Japan upon the grounds of a children’s zoo situated near Daito Bunka University. The replica home is of Potter’s former home, Hill Top Farm and is exactly 33% larger than the actual home Potter lived and worked in

South Korean Culture and the Importance of Facial Symmetry and Beauty

South-Korean-gwansang

Facial structure is incredibly important in South Korea and professionals are available who specialize physiognomy, the practice of reading facial features the same way palm readers read the lines of the palm to determine ones supposed fortune (e.g. the forehead supposedly represents luck, up to the age of 30, as well as a person’s parents luck and the nose represents oneself in their entirety and can also be indicative of wealth). The facial reading process is a pseudoscience similar to phrenology of the 19th century. The practice of facial queue reading is actually quite commonplace with top employers like Samsung, LG, and Kia using facial reading experts to help decide who the company should hire for various positions. The body is also accounted for in this reading, but on a much smaller scale. Facial readers claim to be able to predict and decode a persons fortune, career, and wealth, not only for the person being examined, but also of their parents. This process is referred to in Korean as “gwansang”

The Origin of Film Scores and the Drama They Add to Cinema

Hans-Zimmer

In the early days of film, soundtracks were implemented to cover up the noise of the film protector as it played film. As time progressed however, movie scores became more and more crucial to the pacing, tensing, and emotion of films (e.g. 1997’s Titanic with Celine Dion singing The Heart Does Go On). Max Steiner’s score for King Kong in 1933 was a watershed moment for cinema as it introduced orchestral music into film for the first time. King Kong demonstrated for the first time that music could be leveraged to add drama or comedy to a scene

Prince Albert’s Philanthropic Project of the South Kensington Museum

South-Kensington-Museum

Prince Albert owned the worlds largest collection of Raphael reproductions with over 50 unique portraits. Albert commissioned a photographer to go into the Vatican Museum in Rome, Italy and take photographs of all Raphael works. These photographs of course lacked color being a product of their time and technology, so hand painted versions were made using chromolithography technology. The intention of the collection was not simply to collect but rather to draw people into Windsor Castle to teach them about art history, which is actually the format in which modern day art historians teach artwork to students; in a photo library. Unlike most monarchs, Albert and Victoria wanted to feed the public with knowledge, art, and science. Albert believed that industry could place great works of art into the hands of the masses using manufacturing techniques which would cut costs dramatically. Albert was especially interested in batteries and their connection to various metals in different solutions. This borderline obsession was sparked when Albert seen a real rose turned to gold by dipping it into a chemical solution of chemicals which coated the rose, permanently changing its outer layer. This process is referred to as “electroforming” and involves dropping a dried rose into an electrically conductive material and attached to a battery. A solution of precious metal is prepared, typically gold, after which the rose is left to sit within the solution for a few moments. The rose attracts metal particulate within the solution because of its coating. Albert put on a great exhibition entitled the Great Exhibition of the Works of Industry of All Nations in 1851 which cost £335,742 which equates to £46,482,000 as of 2019 when accounting for inflation. The revenue from this project was £522,000 which equates to £72,269,000 as of 2019. Over 6,000,000 (6 million) people attended and exhibits from 25 countries were featured. Albert took the profits from this endeavor and purchased South Kensington Museum, a building which would be used solely for art, science, and industry to be displayed for the public. Because of Alberts involvement and enormous success, South Kensington Museum started to become referred to as “Albertopolis” meaning “City of Albert” in Greek. South Kensington Museum is the embodiment of Alberts enlightened belief that culture and learning should be at the very heart of any successful nation. South Kensington Museum opened on 1857 and is referred to during the modern day as the “Victoria and Albert Museum” or the abbreviation “V&A”. South Kensington Museum is the world’s largest museum of applied and decorative arts and design and sculpture and houses a permanent collection of over 2,270,000 (2.27 million) pieces. Alberts favorite place to get away in Buckingham Palace is the Print Room where his collection of Raphael’s are stored. Victoria could not bear to even enter the room for months after Alberts untimely death at age 42 in 1861

The Art Collection of King George IV

King-George-IV

King George IV’s excessive consumption was completely out of synchronization with his income with George IV needing to rely upon the British parliament multiple times to bail him out of financial ruin. George IV’s over spending was so bad that parliament actually forced him to marry in exchange for hundreds of thousands of pounds worth of debts to be forgiven. Although George IV is thought of as extravagant and profligatory, the truth is that the combined value of his collection equates to an average modern day value of £10,000,000 (£10 million) for every £1000.00 George IV spent during the 19th century. It should be noted that this large gain is due primarily to the intrinsic and irreplaceable value of the items as £1000.00 in 1800 would only be worth £83,000 as of 2019 when accounting for inflation