Islamic Carpet Design

Islamic-carpet

Carpet weaving is thought to have originated in Central Asia more than 2000 years ago, but it was the Islamic culture which shifted it into an art form. Many Islamic traditions have long frowned upon the depiction of sentient beings depicted in western art and because of this, carpet makers created landscapes of bright colors and complex patterns, with the mark of different tribes and ethnic groups recognized by the various dyes and pattern styles utilized. Patterns are so prevalent in Islamic culture because it is a form of expression which is permitted, unlike many others which go against the direct teachings of the Quran. It’s common for patterns to contain an eye somewhere along the line as a protective measure, or a small script to give thanks and praise to Allah, and sometimes even small depictions of hidden meanings like the head of a bird without the rest of its body. Typically, duplicates of the same Islamic carpet are not created, as the artist who created the original design did so because they felt a particular emotion during the creative process and because the same mood is or was not felt during the next carpet, the design is different to reflect the new mood experienced. The golden age of the Islamic carpet occurred during the 17th century when landscape art worked its way into these carpets causing them to become portable gardens of paradise. The images portrayed were not intended to hold a mirror up to nature, but to reflect what human beings value most of nature

The Decoding of the Rosetta Stone


Rosetta-Stone.png

The decoding of the Rosetta Stone was a massive breakthrough, taking 20 years to achieve, and shaping archeology into a science, distancing itself from the art form it had been regarded as prior. For the first time in history, the focus of archeology was not centered upon owning a piece of history for its beauty but rather understanding a piece of history for the information it contained, information which could be freely shared with and taught to those outside of the field. The Rosetta Stone has been inked and pressed by paper to make exact duplicates and has had 4 plaster copies made, which were then sent to the University of Oxford, the University of Cambridge, the University of Edinburgh, and the University of Dublin. A large printed copy was also drafted by hand using just paper and an inked pen to carefully mimic each and every hieroglyph carving made. The Rosetta Stone had an added benefit to the initial benefits listed previously as it aided archeologists in their quest to work out the chronology of Egyptian history