The Traditional Practice of the Japanese Geisha


Japanese geishas, referred to as “geiko” (pronounced “gay-ko”) first appeared 300 years ago during the Edo period, an era when Japan was closed to the rest of the world allowing its indigenous culture to flourish. There were once 80,000 geisha but that number has dropped to just 1000 during the modern day. It takes 5 long years to become a geisha, this time spent with no smartphone, no romantic relationships, and only 2 days off per month. Geishas undergo lessons in music and dance as well as tea making and etiquette. All food and lodging is provided by the geisha training institution so that students become completely and totally immersed within the geisha lifestyle. Geishas wear white masks of makeup as symbolism that what is concealed is more desirable than that which is revealed. Pink is painted onto the earlobes as a way to hide embarrassment from blushing, and bare skin is left in a “W” or “V” shape upon the back of the neck to accentuate the neck which is considered highly beautiful, sexual, and erotic in Japanese culture. Geishas are only supposed to entertain their client with highly cultured activities, and the profession is not supposed to be associated with sexual interaction

The Oldest Artwork in Human History


Near the Ardeche River (pronounced “arr-desh”) in southern France, less than 0.5 kilometers away, 3 explorers set out a few days before Christmas in 1994. While seeking drafts of air emanating from the ground which would point to the presence of caves, these explorers found a subtle airflow which was blockaded by rocks. The explorers found a narrow shaft which was cut into the cliffside, so narrow in fact that their bodies could just barely squeeze through it. Deep inside the cave the explorers stumbled upon the oldest known cave paintings in human history, twice as old as any other artistic depiction made by human hands. The cave itself had been perfectly sealed for tens of thousands of years which is why this 32,000 year old artwork was found in pristine condition. In honor of the lead discover Jean-Marie Chauvet (pronounced “zhan mah-ree sho-vee”), the cave was named “Chauvet Cave”. The French Ministry of Culture controls all access to the cave, an intervention which was rapidly implemented as this discovery was immediately understood as an enormous scientific find, perhaps one of the greatest anthropological and artistic discoveries ever made. Scientists and art historians are typically the only members of the public permitted access to Chauvet Cave, with archeologists, paleontologists, and geologists being the most common interdisciplinary teams provided entry

The Advent of the Computer Mouse


The computer mouse became a mainstream accessory for computers shortly after Steve Jobs viewed a prototype mouse from Xerox in 1979. Jobs asked his team to create a mouse which was under $15.00, would last for 2 years, and could be used upon either a particle board desk or the jeans of a persons lap. Dean Hovey ended up creating the concept of the computer mouse by visiting a drug store after Jobs made this request in a business meeting. Hovey purchased a roll on deodorant and a butter dish and began working upon the initial design. Hovey popped the spherical applicator out of the deodorant and covered it with the butter dish to make a rollable, undulating handheld device

The Future of Body Modification


Near field communication, often abbreviated as “NFC” is the ability for wireless devices to communicate with eachother and has now made its way into the bodies of human beings with some opting to implant small subdermal microchips using a large gauge hypodermic syringe (e.g. 14 – 18 gauge) which is preloaded so that these individuals gain the ability to start their vehicle(s), open their home door locks, send contact information to another persons smartphone etc., wirelessly and without any intervention or effort upon the end user. This adaptation is referred to as “transhuman” as it goes beyond what the biological human body can do by introducing technology which cannot be evolved into existence. Devices have been developed for a number of different purposes (e.g. vibrating when pointed towards magnetic north turning the body into a compass or implanting a small chip containing tritium gas which glows beneath the skin but is radioactive and therefore not battery powered lasting indefinitely as tritium gas has a 12 year half-life etc.). In 2018, at the University of Colorado, Dr. Carson Bruns and his team developed a technology which allows for smart tattooing in that newly and highly specialized tattoo inks will be able to deliver new functions to the artistic medium of tattooing. The first design invented was a tattoo ink which is sensitive to ultraviolet light which allows it to lay invisible under typical lighting conditions and only appear as a blue hue once outside in the presense of sunlight or an artificial ultraviolet light source. This technology would be practical as well as esthetic as it would allow a person to know when they’ve had too much sun exposure while outside. Bruns’ team has also developed tattoo ink which changes color as the temperature of the body changes which again would be functional as well as artistic, acting as a thermometer to indicate when a person has had too much or too little exposure to cold or heat. Nanotechnology is used to engineer and design tattoo particles which have specialized properties and characteristics (e.g. thermal battery and/or storage mechanism). Real world applications could be spurred by this advent like the ability to keep the entire body at a comfortable temperature at all times, regardless of the environment, if the entire body was tattooed, either visibly with color or invisibly with translucent ink. Specially engineered tattooing can also have medical applications such as that of the distribution of a pharmacological medication or hormone which helps regulate biochemistry (e.g. insulin or neural catecholamines to control mood etc.). World militaries may find use with specially engineered tattoos as well, allowing skin to become more resilient to abrasions or epidermal damage. Specialized tattoo pigments are also tactile sensitive in that when touched, they have the ability to turn on or off as well as perform other functions (e.g. manipulate an options menu upon a screen or act as a controller for a game or software etc.). In 2018, billionaire futuristic Elon Musk unveiled Neuralink, a technology which he states provides the ability of “self-directed evolution”. Neuralink will be installed within the human body by using a specialized, robotic hypodermic syringe to inject an ultra thin mesh, referred to as “neuro lace”, into the neurocortex of the brain, to form a body of electrodes which are able to monitor and influence brain function. These microelectrodes will be able read and write onto neurons; a bi-directional information exchange. This will allow for the downloading and uploading of information to and from the internet, wirelessly. This technology will allow for thoughts to be sent between users in the same format that data is shared online during the modern day using peer to peer networking. This technology will also allow for the control of devices, remotely; in principle, telekinesis. Nanotechnology now provides scientists with the technology required to manufacture electronics small enough to become tattooed, which means that in the future, Neuralink will only require a small, cranial tattoo instead of a cranial implant

The Psychology Behind Why Human Beings Desire


Human beings are not born with a sense of self, as the answer to the question “who am I?” is truly the accumulation of experiences and interactions with other people. This interaction and experience creates the self-image, an idea which is built by the views and responses of other people. Modern society is comprised of a civilization which spends great time, effort, and attention acquiring and accumulating objects and possessions, often with no particular use whatsoever, collected to produce a statement of each individual, leveraging objects as an extension of the self. In a society of sentient beings, desire is an inevitability. The products which a consumerist society creates are optional but the desire is not. This drive is what makes it easy for producers to create and design products and services which are acquired by the masses, products and services which aren’t necessarily useful or needed (e.g. latest smartphone with unknown features which remain unknown until used for the first time, but this being unimportant as the end user is positive they will enjoy the features once observed) but are purchased out of the compulsion of desire. This primitive desire has created the modern concept of dynamic obsolesce. The end user is permitted to achieve a positive emotional state, for a short period of time, which quickly fades and must be replaced by something else. This character trait has been bred into the human psyche through evolution. Human beings, like all animals, compete for mates. All animals display extra resources (e.g. colorful feathers, large horns, decorative patterns etc.) to advertise for potential mates that their genes are incredibly fit for selection and reproduction. Human beings partake in this evolved display by demonstrating attributes which require extra energy and natural resources which aren’t required to be genetically fit, which the human mind responds to regardless of the features usefulness (e.g. high heeled shoes and makeup, fast automobiles, designer clothing and accessories like handbags etc.). Manufacturers of these types of products intuitively understand and therefore successfully hijack the concept of status, one of the most fundamental determinants of human behavior. Producers of products and services tap into the preoccupation human beings have with what others think as human beings are effectively animals seeking social stature and prestige. Because of this, human beings prefer objects to be new, flamboyant in their display, and convenient

The First Mass Produced Items of the Ancient World


The first mass produced pieces of artwork were the ancient Egyptians shabtis which were essentially miniature mummies that the ancient Egyptians believed had magical powers and were therefore buried with the dead. Shabtis were comprised of Egyptian faience which is a type of glass ceramic material made from sand. Egyptian faience is referred to as such in order to distinguish it from faience, which is a tin glazed pottery associated with Faenza, Italy. The idea of Egyptian faience was to replicate semiprecious stones like turquoise lapis lazuli from Afghanistan, which at the time was more expensive than gold. The recipe for Egyptian faience is 90% crushed silica, crushed fine natron salt to act as a flux, crushed limestone, and then the coloring with blue being the most popular, a color achieved through the use of pure copper oxide. Water was introduced to turn this composition from a granular mix into a dough like substance. Natron salt which is a type of baking soda, is the key ingredient to this recipe as it rises to the surface when baked and lowers the overall temperature at which sand melts and becomes glass. The statues are left to stand for 24 or more hours as this helps the salt grow on the surface through a chemical reaction process as oxygen within the ambient environment mixes with the ingredients inside the Egyptian faience

Photographic Evidence of Lewis Carroll’s Alleged Pedaphilia Involving Alice Liddell, the Protagonist of Alice In Wonderland

Alice-LiddellA photograph linked to Lewis Carroll was found in the Musée Cantini, a French museum in Marseille, France, which depicts what appears to be a pubescent aged Lorina Liddell who was the younger sister of Alice Liddell, the person whom the fictional character of Alice in Alice In Wonderland was based upon. The photograph is problematic as it displays Liddell, fully nude, from a frontal angle. It’s unclear if the photograph was taken by Carroll or only linked to him, and it’s not completely clear as to whether or not the girl in the photograph is actually Liddell. The image isn’t permitted to leave France, so any study upon the subject must be conducted within the borders of the country. In 1993, Carroll expert Edward Wakeling deemed the photo to be not of Liddell after repeated examination and comparison to other images of Liddell. Nicholas Burnett, a picture conservationist with specialized knowledge in 19th century photography technology has stated that he believes the inscription upon the photograph which states “Lorina Liddell, Carroll, Col, MC” is actually a dealers notation which states what the photograph is of, where it came from, and denotes that it’s part of a collection, hence the abbreviation “col”. It’s unclear what “MC” stands for as the Musée Cantini does not use this abbreviation, but it could possibly stand for “Musée Cantini”. Carroll photographed the Liddell girls during the 1860’s which is crucial because the photograph in question has a slow growth mold which is difficult to reproduce fraudulently, beneath a thin layer of egg white albumin used as an outer coating. This photograph is known to have been cropped as the negative is larger than the print which is impossible to achieve unless the photograph itself was cut down. Carrol favored using an Ottawa Walls folding camera which is the same kind of camera which created the photograph in question. Finally, the print was made from a wet collodion negative which is a printing technique which Carroll is known to have used. If the photograph was from a later date, it would have used a paper negative which would have caused it to appear less crisp and clear. The evidence seems to suggest that Carroll did indeed take and develop the photograph. Forensic comparative analysis using modern scientific methods of comparing one photograph to another were used to examine the photograph and experts concluded that the girl in the photograph, is indeed Lorina as the eyes, specifically the epicanthic fold of the eyes, matches that of photographs of Lorina when she is in her adult years, as well as her elder years. The nose provides another example of evidence as the width of the nose at the nasion, meaning the point between the eyes and the bridge of the nose, the width of the alae (pronounced “ail-ee”) which is the spongy part of the side of the nose, and the nostrils are all broadly consistent with later photographs of Lorina. The lips provide further evidence, and perhaps the most interesting of all the compiled evidence as the lips definitively show a Cupid’s bow upon the upper lip, but also a lower lip which is prominent and protruding upon the right side, but not the left. These features forensically demonstrate that there is moderate likelihood that the photograph of the pubescent girl is indeed Lorina. The leader of the forensics team which evaluated the evidence at hand has gone on record to state that because no court case involved, it can confidently be stated that the photograph in question is in fact Lorina, however it should be noted that if a court case were pursuant, the evidence presented may not be enough to garner a conviction as its lacking solid, definitive proof, beyond and to the exclusion of reasonable doubt

South Korean Culture and the Importance of Facial Symmetry and Beauty


Facial structure is incredibly important in South Korea and professionals are available who specialize physiognomy, the practice of reading facial features the same way palm readers read the lines of the palm to determine ones supposed fortune (e.g. the forehead supposedly represents luck, up to the age of 30, as well as a person’s parents luck and the nose represents oneself in their entirety and can also be indicative of wealth). The facial reading process is a pseudoscience similar to phrenology of the 19th century. The practice of facial queue reading is actually quite commonplace with top employers like Samsung, LG, and Kia using facial reading experts to help decide who the company should hire for various positions. The body is also accounted for in this reading, but on a much smaller scale. Facial readers claim to be able to predict and decode a persons fortune, career, and wealth, not only for the person being examined, but also of their parents. This process is referred to in Korean as “gwansang”

Maria Gunning; The Woman Who Was Thought to be the Most Beautiful Woman in London, England During the 16th Century


George William Coventry, the 6th Earl of Coventry, married Maria Gunning who was said to be the most beautiful woman in London, England, so beautiful in fact that grown men claim to have fainted when in her presence. Gunning wore a heavy layer of lead and mercury based makeup which caused blood poisoning and began to eat away at her skin. It is reported that Gunning only had the light of a tea kettle in her room, because she was so devastated by the damage done to her face by the makeup she wore. Venetian Ceruse, also referred to as “Spirits of Saturn”, was the 16th century cosmetic skin whitening agent which Gunning used. Venetian Ceruse was in great demand and considered the best available cosmetic during the era. The problem with lead and mercury based cosmetological products is that this compound contains acids which eat away at the skin and cause further blemishes which then in turn require even more concealer be used, causing a vicious cyclical scenario (e.g. further blemishes lead to more makeup, and more makeup, leads to ever further blemishes). It is believed that Queen Elizabeth I also used Venetian Ceruse to achieve her iconic pale beauty standard