The 12 Gods and Goddesses of Ancient Greece

The Ancient Greeks believed in 12 gods and goddesses who were understood to reside upon Mount Olympus. These deities included Zeus (pronounced “zoose”) the king of the gods, Hera (pronounced “hare-ah”) the wife of Zeus and goddess of marriage and childbirth, Apollo (pronounced “ah-pol-oh”) the son of Zeus, sun god, and god of music and healing, Artemis (pronounced “art-em-is”) the daughter of Zeus, twin sister of Apollo, and the goddess of the moon and hunting, Aphrodite (pronounced “af-row-dye-tee”) the daughter of Zeus and goddess of love and sexual desire, Ares (pronounced “air-eez”) the son of Zeus, god of war and battle, and lover of Aphrodite, Poseidon (pronounced “po-sai-den”) the brother of Zeus and god of the sea, storms, and earthquakes, Demeter (pronounced “de-me-tur”) a lover of Zeus and the goddess of agriculture and fertility, Athena (pronounced “ah-tee-nah”) the daughter of Zeus and goddess of wisdom and war, Hephaestus (pronounced “heh-fai-sch-tus”) the son of Zeus and god of fire and art, Hermes (pronounced “hur-meez”) the son of Zeus, god of commerce and travel, as well as being a personal messenger for his father, and finally Hestia (pronounced “hess-tee-yah”) the sister of Zeus and goddess of the home and family

The Origin of Pogs

The game of Pogs originated in Japan during the 17th century and was originally referred to as “Menko”. The Pogs game was adopted once again during the 1960’s in Hawaii, United States of America and was played using cardboard juice and milk bottle lids. The name “Pogs” was chosen for the game due to the popular juice flavor in Hawaii of “passion fruit orange guava”, making “Pogs” more so an acronym rather than a name

The Development and Repeal of the “Keep Calm and Carry On” Red Poster Campaign During World War II in Britain

The Publicity Division of the U.K. Ministry of Information developed a propaganda campaign prior to World War II in August of 1939. Part of this collection was the iconic red “Keep Calm and Carry On” poster which was designed to be issued at a later date when morale was in need of a boost after destruction and conflict had begun to take place. It is believed that the Keep Calm and Carry On slogan is the best known of all war time campaigns in Britain. The Home Intelligence agency, tasked with monitoring public sentiment and morale, commissioned a survey to study how effective the red poster campaign was at increasing the confidence of the public within the British government. The British government quickly discovered that contrary to expectations, the public found the red posters patronizing and with overtones of an out of touch ruling class pressuring the working class to rise up and defend the state, the very same narrative which was felt by the majority of the public during World War I which was in recent memory for the majority of the British population. Because the red poster campaign was considered a failure, in early 1940, the Keep Calm and Carry On poster among all others were shelved indefinitely with virtually all 2,400,000 (2.4 million) copies rescinded and destroyed

The Rationale Behind the Iconic Mask of Anonymous

In 2008, the Anonymous hacktivism group staged mass protests across multiple cities worldwide. Because participating members were in need of adopting a physical disguise as they would be shifting from the online world into the physical world, early members of Anonymous spent the proceeding 48 hours calling comic book retailers, costume retailers, toy retailers etc. looking for identical disguises which could be purchased en masse for a reasonable price point. As it turned out, each one of these retailers had overstock of Guy Fawkes masks, most of them sitting in external storage and heavily discounted as no one wanted them after the release of the V for Vendetta film released in 2006, a rare miscalculation by manufacturers and retailers. Strangely, the iconography of the Anonymous organization was birthed out of an accidental fluke of overstock

The Japanese Shinto Faith

The Japanese Shinto religion translates to mean “way of the gods” in Japanese and primarily focuses upon ancestors and nature, with practitioners believing that every aspect of the universe has a deity (e.g. rivers have a god, mountains have a god, soil has a god etc.) with ancestors believed to have created the world for the current generation living within it. Japanese architecture is an excellent example of Shintoism as Shinto shrines are left in a minimalist state of color and simplicity, unlike contemporary Chinese architecture which is highly colorful and decorative. Shinto shrines never depict imagery of deities as the wood of the architecture itself is representative of nature, and from that simplicity and minimalism. This is also because it is believed that so many gods exist within nature that it would be foolish to only highlight a few in particular. Practitioners of Shinto observe festivals and holidays but no particular day of prayer, unlike monotheistic religions (e.g. Sunday for Christianity, Friday for Islam and Judaism etc.). There is no mainstay scripture of morality or ethical system attached to Shintoism. In Shintoism, old shrines are dismantled and moved for new shrines to be erected every 20 years. The 3 main elements of Shintoism are the mirror, precious stones, and wood

The Evolution of Primitive and Sophisticated Neural Networks

neural-network

The human brain has 100,000,000,000,000 (100 trillion) connections and 86,000,000,000 (86 billion) neurons, which is more connections and neurons than there are stars in the Milky Way Galaxy. Ironically, the majority of the most successful creatures on Earth do not have a brain; organisms like plants, coral, and jellyfish. The sea squirt is a primary example as it has just 200 neurons, allowing it only to perceive and display simple interaction with the environment by sensing light and moving its flagellum. The sea squirt moves around until it finds a rock, then it dumps its tail and uses those once dedicated neurons for different applications, staying anchored to this spot for the rest of its life. Neurons were originally designed to allow for simple motion and movement, but as evolution progressed steadily, neural networks began to build and design intelligent life which is capable of consciousness and a sense of self but also more abstract concepts like art, mathematics, and science

Prince Albert’s Philanthropic Project of the South Kensington Museum

South-Kensington-Museum

Prince Albert owned the worlds largest collection of Raphael reproductions with over 50 unique portraits. Albert commissioned a photographer to go into the Vatican Museum in Rome, Italy and take photographs of all Raphael works. These photographs of course lacked color being a product of their time and technology, so hand painted versions were made using chromolithography technology. The intention of the collection was not simply to collect but rather to draw people into Windsor Castle to teach them about art history, which is actually the format in which modern day art historians teach artwork to students; in a photo library. Unlike most monarchs, Albert and Victoria wanted to feed the public with knowledge, art, and science. Albert believed that industry could place great works of art into the hands of the masses using manufacturing techniques which would cut costs dramatically. Albert was especially interested in batteries and their connection to various metals in different solutions. This borderline obsession was sparked when Albert seen a real rose turned to gold by dipping it into a chemical solution of chemicals which coated the rose, permanently changing its outer layer. This process is referred to as “electroforming” and involves dropping a dried rose into an electrically conductive material and attached to a battery. A solution of precious metal is prepared, typically gold, after which the rose is left to sit within the solution for a few moments. The rose attracts metal particulate within the solution because of its coating. Albert put on a great exhibition entitled the Great Exhibition of the Works of Industry of All Nations in 1851 which cost £335,742 which equates to £46,482,000 as of 2019 when accounting for inflation. The revenue from this project was £522,000 which equates to £72,269,000 as of 2019. Over 6,000,000 (6 million) people attended and exhibits from 25 countries were featured. Albert took the profits from this endeavor and purchased South Kensington Museum, a building which would be used solely for art, science, and industry to be displayed for the public. Because of Alberts involvement and enormous success, South Kensington Museum started to become referred to as “Albertopolis” meaning “City of Albert” in Greek. South Kensington Museum is the embodiment of Alberts enlightened belief that culture and learning should be at the very heart of any successful nation. South Kensington Museum opened on 1857 and is referred to during the modern day as the “Victoria and Albert Museum” or the abbreviation “V&A”. South Kensington Museum is the world’s largest museum of applied and decorative arts and design and sculpture and houses a permanent collection of over 2,270,000 (2.27 million) pieces. Alberts favorite place to get away in Buckingham Palace is the Print Room where his collection of Raphael’s are stored. Victoria could not bear to even enter the room for months after Alberts untimely death at age 42 in 1861

The Defiant American Natural Landscape Art Form and Luminism

Albert-Bierstadt-Among-the-Sierra-Nevada-California-American-landscape

Artists in the America’s who continually pushed further west, pioneered the technique of “luminism” which used light effects and concealed brush strokes to create paintings which were considered so overwhelming detailed that opera glasses were needed to fully appreciate their true beauty. The American landscape was psychologically bore out of feelings of inferiority and competition with the European continent, as the Americas at this time were not the industrialized indomitable power they are today, but rather a fairly poor country still developing itself and not yet having reached the same milestones which Europe had already accomplished. During the 18th and 19th century, those living in the Americas rejected the notion that Rome, Italy was the center of art and that the best landscapes with the highest and most spectacular mountains were only found in places like France and Switzerland, as the west had its own mountains and its own unique monoliths and animals which could be depicted and celebrated to create American pride within the American landscape

Chinese New Year Traditional Fireworks Display

Chinese-New-Year-dashuhua

500 years ago during the Ming dynasty, a blacksmith came up with a cost effective way to display a fireworks show during the Chinese New Year festival by spraying molten metal onto and alongside a wall, an incredibly beautiful, yet dangerous feat to pull off. This process is referred to as “dashuhua” (pronounced “dash-ooh-wah”). The metal is 1600 degrees Celsius which means it is in a liquified state. The dashuhua master traditionally wears a straw hat and sheepskin coat for protection. There is currently only 1 dashuhua master left in the world, a person who is a 14th generational master. This master has 2 daughters, neither of whom want to learn the craft, so theoretically, after this master passes away, the tradition will die out

Chinese Landscape Painting

chinese-landscape-painting

Landscape painting came into itself during the 10th century in China and by the 11th century, the art form had inlaid deep roots into the Song Dynasty and Chinese culture as a whole. Painting academies were established and books were written about the philosophy and practice of landscape art. It was believed by the Chinese that to be Chinese was to be civilized and to be civilized was to paint. While Europe was in the depths of the Dark Ages, and the Mayan civilization in Central America was collapsing, the Chinese were trading in paper money and developing and using advanced technologies like gun powder. Perspective Chinese bureaucrats were expected to demonstrate artistic talent by taking and passing examinations in calligraphy before being able to serve in government roles