Photographic Evidence of Lewis Carroll’s Alleged Pedaphilia Involving Alice Liddell, the Protagonist of Alice In Wonderland

Alice-LiddellA photograph linked to Lewis Carroll was found in the Musée Cantini, a French museum in Marseille, France, which depicts what appears to be a pubescent aged Lorina Liddell who was the younger sister of Alice Liddell, the person whom the fictional character of Alice in Alice In Wonderland was based upon. The photograph is problematic as it displays Liddell, fully nude, from a frontal angle. It’s unclear if the photograph was taken by Carroll or only linked to him, and it’s not completely clear as to whether or not the girl in the photograph is actually Liddell. The image isn’t permitted to leave France, so any study upon the subject must be conducted within the borders of the country. In 1993, Carroll expert Edward Wakeling deemed the photo to be not of Liddell after repeated examination and comparison to other images of Liddell. Nicholas Burnett, a picture conservationist with specialized knowledge in 19th century photography technology has stated that he believes the inscription upon the photograph which states “Lorina Liddell, Carroll, Col, MC” is actually a dealers notation which states what the photograph is of, where it came from, and denotes that it’s part of a collection, hence the abbreviation “col”. It’s unclear what “MC” stands for as the Musée Cantini does not use this abbreviation, but it could possibly stand for “Musée Cantini”. Carroll photographed the Liddell girls during the 1860’s which is crucial because the photograph in question has a slow growth mold which is difficult to reproduce fraudulently, beneath a thin layer of egg white albumin used as an outer coating. This photograph is known to have been cropped as the negative is larger than the print which is impossible to achieve unless the photograph itself was cut down. Carrol favored using an Ottawa Walls folding camera which is the same kind of camera which created the photograph in question. Finally, the print was made from a wet collodion negative which is a printing technique which Carroll is known to have used. If the photograph was from a later date, it would have used a paper negative which would have caused it to appear less crisp and clear. The evidence seems to suggest that Carroll did indeed take and develop the photograph. Forensic comparative analysis using modern scientific methods of comparing one photograph to another were used to examine the photograph and experts concluded that the girl in the photograph, is indeed Lorina as the eyes, specifically the epicanthic fold of the eyes, matches that of photographs of Lorina when she is in her adult years, as well as her elder years. The nose provides another example of evidence as the width of the nose at the nasion, meaning the point between the eyes and the bridge of the nose, the width of the alae (pronounced “ail-ee”) which is the spongy part of the side of the nose, and the nostrils are all broadly consistent with later photographs of Lorina. The lips provide further evidence, and perhaps the most interesting of all the compiled evidence as the lips definitively show a Cupid’s bow upon the upper lip, but also a lower lip which is prominent and protruding upon the right side, but not the left. These features forensically demonstrate that there is moderate likelihood that the photograph of the pubescent girl is indeed Lorina. The leader of the forensics team which evaluated the evidence at hand has gone on record to state that because no court case involved, it can confidently be stated that the photograph in question is in fact Lorina, however it should be noted that if a court case were pursuant, the evidence presented may not be enough to garner a conviction as its lacking solid, definitive proof, beyond and to the exclusion of reasonable doubt

The National Security System of Dubai

Dubai

Dubai has one of the most sophisticated surveillance states in the world. It is incredibly difficult to bypass Dubai intelligence, which Dubai promotes as a positive aspect of its government. The Arab Spring of 2011 gave way to multiple riots and protests across the Middle East which is why monitoring and security have become especially tight within the past decade. Social media and smartphones played a pivotal role in the uprising of the public across the Islamic world which is why Dubai has stepped up its surveillance measures. Dubai’s surveillance system is an ecosystem entitled “Falcon Eye”, a nod to the importance of falconry within Arab culture, a sophisticated network with software which tracks the movement of a person from the moment they leave their home until the moment they return. Camera surveillance is not the only method used however as the Dubai government has openly admitted to the tracking and monitoring of smartphones as well as to sending state agents to follow individuals like journalists via motorized vehicle and upon foot when a person is deemed to possibly cause a threat to the states national security. The reason this activity is not hidden from the public is because the Dubai government wants citizens and foreigners to know that they actively engage in the monitoring of what people do when within its borders. Dubai started spending millions of dollars in 2011 on state of the art Israeli spyware which had the ability to infect smartphones and turn them into portable surveillance devices as they are almost always with the person who is being spied upon. In the past decade, as of 2019, the United Arab Emirates has made strides in opening up communication and relationships with law enforcement and governments located near the Indian Ocean. This allows the reach of the Dubai government to effectively be international, much the same way that the U.S. has international diplomatic links with many other democracies around the world