The Eurasian Yamnaya People and Their Cultural and Physical Dominance of the European and Asian Continents


The Yamnaya people were bands of nomads who roamed territory north of the Black Sea and Caspian Sea during the Bronze Age. By 3000 B.C., the Yamnaya became the greatest horse culture of the ancient world, as they were the first culture to adopt both riding upon horseback as well as the pulling of horse wagons. This breakthrough in technology allowed the Yamnaya to transport food and supplies more easily and readily so that the best pasture lands could be acquired. This allowed the Yamnaya to quickly become the most dominant culture within the Central Step region. Horses allowed for larger herds of cattle and sheep, which permitted wealth to be quickly generated and redistributed into local economies. The Yamnaya alongside other cultures which they combined with traversed across the Central Step, moving as far east as Mongolia and as far west as central Europe. The Yamnaya nomads dominated virtually every culture encountered which is understood due to the fact that many regions began speaking the Proto-Indo-European language in the Yamnaya dialect. The rationale for this is that language is connected to power and/or wealth which is a large incentive for a person or group of people to adopt because it provides unique advantages in all aspects of life including everything from economic trade to finding a romantic life partner. The Yamnaya left no written record of a written language but linguists are able to piece together fragments of the Yamnaya dialect due to the fact that many languages in Europe and Asia, including ancient languages like Greek and Latin, modern romantic languages like Italian, French, and Spanish, Germanic languages like various Scandinavian languages and English, and Russian and Sanskrit, all derive from the common Proto-Indo-European language spoken by the Yamnaya (e.g. the English term ”brother” is “frater” in Latin, “bratar” in Sanskrit, and “pratar” (pronounced “pray-tarr” with a rolled “R”) in Greek). The term “wheel” and “wagon” are Yamnaya terms, and only appeared after the Yamnaya people became dominant within the Central Step region where these two technologies were developed. This is important because Proto-Indo-European languages like that of the Yamnaya must have been spoken after the invention of the wheel around 3500 B.C., as the terms invented would have no use prior to the advent of the practical application (e.g. only using the term “hard drive” in English after the advent of computers, as there is no intended use prior). Many linguists believe that all languages stem from a single source language and that this single source may be the Yamnaya dialect. This dialect and Yamnaya culture as a whole spread across Europe and Asia with millions of modern day people in both continents with generic markets tracing their lineage back to the Yamnaya people. Archeologists and anthropologists believe the Yamnaya were so successful because of learned, acquired immunity towards the Bubonic Plague. Evidence of yersinia pestis bacteria exists within the burial sites of Yamnaya people, which means that the Bubonic Plague was already affecting humans as far back as 3000 years before any written record. This evidence further demonstrates that the Bubonic Plague began within Eurasia, possibly in Yamnaya communities and that those who survived, were most likely able to dominate other European and Asian cultures which did not have acquired immunity as they brought the plague with them when invading foreign territory. It is believed by experts that this immunity and transference of the Bubonic Plague allowed the Yamnaya to expand across the known world, conquering and acquiring the people and regions they came across

The Illusion of Fibonacci’s True Name


Fibonacci’s name was created in 1838 by the Franco-Italian historian Guillaume Libri, and is short for “filius Bonacci” which means “son of Bonacci” in Italian. Fibonacci is also referred to as “Leonardo Bonacci”, “Leonardo of Pisa” where he was born, and “Leonardo Bigollo Pisano” which means “Leonardo, traveler from Pisa” in Italian, a name which Fibonacci actually used himself

Giorgio Vasari; The Person Accredited with Creating the Term “Renaissance”


The person who is accredited with creating the term “renaissance” is Giorgio Vasari. Vasari published a book entitled “Le Vite de’ più eccellenti pittori, scultori, e architettori” which means “The Lives of the Most Excellent Painters, Sculptors, and Architects” in Italian. The book is often shortened in its title and called “The Lives of Artists”. This book has over the centuries become the most influential art book of all time. Within the preface of the book, Vasari uses the term “rinascita” which means “rebirth” in Italian, to describe what was going on around him. Vasari stated that under the ancient Greeks and ancient Roman’s, art and civilization reached it’s highest levels of perfection, and that when the barbarians which are modern day Germans, arrived in Italy, the arts as a whole fell to ruins. The Renaissance is considered to have occurred between 1400 – 1600, with the beginning and end dates being slightly vague on each end

Traditional Operatic Theater


Despite common belief, not everyone who attended operas during the 18th century spoke Italian which is and was the language of most operas. Because of this, operatic actions became highly exaggerated over the evolution of the artform to act as a kind of subtitle to fill in the blanks. Patrons were also provided small booklets with the entire opera in print, much the same as a modern day screenplay script so that they could follow along in the event that they became lost

Leonardo da Vinci’s Sfumato Technique

Leonardo-da-Vinci-sfumato-techniqueLeonardo da Vinci worked for the Parisian court as the head artist, and much of his work can be seen hanging in the Louvre. The technique da Vinci invented to create the illusion of distance is called “sfumato” derived from the Italian term “fumo” which means “smoke”. The technique involves blurring and softening a background or foreground to make it more vague and therefore provide an illusion of depth, with an excellent example of this technique being used within the background of da Vinci’s Mona Lisa painting. Da Vinci is quoted as saying that sfumato is “without lines or borders”