The Parasol and the Advent and Evolution of the Umbrella

Parasols, the precursor to the umbrella, were initially comprised of tree leaves, specifically eucalyptus and palm branches. The original intent of the parasol was to stop ultraviolet radiation from the sun, from penetrating the skin and causing it to become tan. The term “parasol” is derived from the French term “para” which means “to shield from”, from the root Latin term “parare” (pronounced “pah-rah-ray”), and the French term “sol”, which means “sun”. Parasols and umbrellas can be separated by their appearance as parasols are typically colorful and lively whilst umbrellas are generally solid, muted colors (e.g. black, grey, white etc.). It was not until the 1750’s when English philanthropist Jonas Hanway began carrying an umbrella in public with the intent to avoid rain that the idea caught on as a social trend and a new technology. Umbrellas up until the 19th century were heavy, weighing approximately 10 lbs. as they were comprised of whale bone with wooden rods setup to support the canvas. In the 1920’s, Hans Haupt helped usher the next generation of umbrellas in by inventing the foldable umbrella, the same kind of umbrella used during the modern day

The Symbolism of the Islamic Garden

Islamic gardens act as symbolic representation of the archetypal eternal heavenly garden, an attempt to provide a small peak into what could potentially wait for a person in the afterlife. Repetition of geometric shapes in Islamic gardens help to emphasize the link between the physical world and thereafter. Circular fountains represent Jannah, the Islamic representation of heaven, as the circle is symbolic of heaven. The square is always utilized as a symbol of the Earth, with circular fountains often found within square indentations to act as a metaphor for heaven and Earth meeting. The term “Jannat-al-Firdaws” which means “Garden of Paradise” in Arabic, is mentioned many times throughout the Quran, with Chapter 55 of Surat al-Rahman (pronounced “suu-rat al rack-man”), which means the “all merciful” in Arabic, holding the best and most descriptive accounts of what this garden truly would look like if experienced. Water plays a crucial role in these accounts, with multiple layers of symbolism for life present which is why water is the most important element within an Islamic garden as it is symbolic of the soul. Rain was and continues to be viewed as a merciful gift from heaven within Islamic culture as Islam stems from one of the hottest regions in the world. Water is essential to Islam and an Islamic paradise garden cannot exist without the incorporation of water to some degree. Islamic gardens are separated into 4 specific quadrants because of the “chahar bagh” (pronounced “cha-harr bahh”) which means “4 gardens” in the Persian language of Farsi, directly related to the 4 rivers of paradise, including a river of milk, honey, wine, and water, an order and harmony which underlies everything within an Islamic garden

The Annual Hindu Rain Festival of Ambubachi Mela

For 3 days each June, typically always starting upon June 22 and ending upon June 26, but fluctuating due to various influences, the Hindu festival of Ambubachi Mela is observed. Sadhu’s, that is, holy men of the Hindu faith, and pilgrims from all over India gather at the Kamakhya Temple (pronounced “kah-mah-kee-yah”) in Guwahati, India, a site located upon a hill near the Brahmaputra River, to pray for rain. It is believed by Hindus that the presiding goddess of the temple, Devi Kamakhya, who is the Mother Shakti, goes through her annual cycle of menstruation during this festival. The Kamakhya Temple becomes closed for 3 days during the mela as it is believed by Hindus that the Earth, commonly associated as Mother Earth, becomes unclean for 3 days and therefore should be secluded in the same format that some traditionally practicing Hindu women seclude themselves during their own menstrual cycles. During these 3 days, some restrictions are observed by the Hindu devotees (e.g. cessation of cooking, cessation of performing worship which is referred to as “puja”, cessation of reading holy books, cessation of farming etc.). After 3 days, Devi Kamakhya is bathed by cleaning the statue which represents her with red pigment flowing from her vaginal canal, alongside other rituals which are carried out to ensure that the devi retrieves purity. The doors of the Kamakhya Temple are reopened on the 4th day and devotees are permitted to enter Kamakhya Temple to worship Devi Kamakhya. The devotion of these pilgrims is believed to bring rain and fertility back to the Earth

Timbuktu, Mali and its Cultural and Commercial Traditions

Timbuktu, Mali is located at the precise point where the Niger River flows northward into the southern edge of the Sahara Desert, which is an incredibly difficult place to reach and is why it is often used in the English language as a representative of a far away place. In Timbuktu, men keep their faces veiled while in the presence of women at all times, not even lowering their veils to eat, instead taking in food from underneath the veil. Women predominantly make familial decisions and hold the position of power within society. Timbuktu is made up of various ethnic tribes including the Kel Tamasheq, Songaï (pronounced “sore-eye”) (sometimes spelled as “Songhai”) and Arabs primarily. Timbuktu was founded by the Tuareg people however their numbers are vastly outweighed by the 3 main tribes of Timbuktu during the modern era. Despite once being a trading hub of both of salt and gold, Timbuktu now primarily trades in salt as the price of gold has made gold inaccessible for the average inhabitant. Timbuktu is slowly being buried in the sands of the Sahara Desert as these sands blow in and slowly but surely bury Timbuktu’s structures a little bit at a time. Fortunately, the United Nations Educational, Scientific, and Cultural Organization has been helping to preserve the city of Timbuktu and its buildings from the elements of sand, wind, and rain which have eroded its structures made from natural materials, mainly adobe and mud brick