The Reason Behind the Anglo-Burmese War


The annexation of Burma, which is modern day Myanmar, by England, occurred in 1885. The conquering and colonization of Burma was a long and drawn out process involving 3 wars in 1824 – 1826, 1852, and finally 1885, each a pivotal part of the Anglo-Burmese War. After successfully dominating Burma, the British made the decision to annex all of Upper Burma as a colony and to make the country as a whole, a province of British India. During the 19th century, Burma was a matriarchal society and the majority of commerce was run and ruled by Burmese women, a society which was notorious in the west for shrewd business practices. Burma was during this period a matriarchal society, and it is believed that this is due in large part to the fact that the country as a whole was primarily Buddhist and Buddhist cultures tend to hold women in higher regard than other parts of the world. The conflict between the British and the Burmese erupted because of trade, as the British wanted the absolute shortest route to China which involved crossing through Burma to avoid the Bay of Bengal

The Defiant American Natural Landscape Art Form and Luminism


Artists in the America’s who continually pushed further west, pioneered the technique of “luminism” which used light effects and concealed brush strokes to create paintings which were considered so overwhelming detailed that opera glasses were needed to fully appreciate their true beauty. The American landscape was psychologically bore out of feelings of inferiority and competition with the European continent, as the Americas at this time were not the industrialized indomitable power they are today, but rather a fairly poor country still developing itself and not yet having reached the same milestones which Europe had already accomplished. During the 18th and 19th century, those living in the Americas rejected the notion that Rome, Italy was the center of art and that the best landscapes with the highest and most spectacular mountains were only found in places like France and Switzerland, as the west had its own mountains and its own unique monoliths and animals which could be depicted and celebrated to create American pride within the American landscape

Ancient Stained Glass Manufacturing


The manufacturing of stained glass is an ancient technology which dates back so far that the ancient Egyptians knew how to do it 2000 years before the birth of Jesus Christ. Medieval Europe inherited this form of technology but did not invent it as is common belief. Deep, rich blue glass was very difficult to make and therefore needed to be imported from southern Italy. The deep blues which the Chartres Cathedral in Chartres, France is so famous for can historically be traced through documentation to fragments coming from the Byzantine Empire as well as the Roman Empire. These imports were melted down and used to create new glass. Most colors and dyes came from the natural world in the forms of roots, berries, barks, leaves, minerals, and crushed insects, but the most prized colors were imported into Europe from the east, specifically India and China using Ottoman trade routes. The simple luck of geography made Venice, Italy an incredibly wealthy city as it acted as a nexus between the east and west. The blue hue referred to as “ultramarine” was the most expensive color to acquire and therefore it was almost always saved for depictions of the Virgin Mary, typically in her cloak or some other form of clothing, as Mary was depicted as the focal point of every painting she appeared within. Ultra Marine came from the mineral of lapis lazuli and when it was ground up into powder, some parts would inevitably become smaller than others which allowed these particles to reflect more light and provide a deeper, richer color to work with and appreciate. Vermillion Red was almost as precious as ultramarine, and has been used in Europe for hundreds of years in various illuminated manuscripts. Made from the mineral cinnabar, vermillion was adopted in places outside of Europe like meso-America for painting, India for bindi dots, and China to create lacquerware

Chinese Silk


Historically recorded Chinese accounts by monastic Chinese scholars state that a handful of monks sent to China by the Roman emperor Justinian, smuggled silkworms out of China within the hollowed out shoots of bamboo canes and brought this cargo to Constantinople which is modern day Istanbul, Turkey so that the silk textile trade could be exported from China for the first time in recorded history. For over 2000 years Constantinople was considered the crossroads of the world, the nexus at which the west and east converged. Silk soon took off as one of the most in demand and profitable industries within Istanbul’s long and fascinating history. It should be noted that these accounts are thought by many scholars to be a work of fiction