The Origin of Uppercase and Lowercase Letters and the Influence of Typesetting Upon the English Language

The term “uppercase” and “lowercase” in relation to alphabet letters was derived during the Victorian period within England. Advertising was highly prominent during the 19th century and used ubiquitously by businesses. The poster makers who would serve these businesses would use letters which were essentially stamps, dipped into thick, viscous, oily ink, specifically formulated this way to cling to and transfer cleanly onto coarse paper which was designed to be rough so that it could absorb as much ink as possible. Compositors, which was the name for this particular vocation during the 19th century, would keep their letters in a type case with large letters at the top and small letters at the bottom. The letters were kept in what was effectively a suitcase which did not close which is where the terms “uppercase” and “lowercase” originated from, as the letters were stored in either the upper portion of the type case or the lower portion of the type case. Each individual letter, a block referred to as a “sort”, was cast in metal and crafted backward to be arranged by hand by a skilled craftsperson. The layout of the case, with capital letters in the upper section and lowercase letters in the bottom, was highly pragmatic, as it positioned the most often used letters at the bottom closer to the person setting the typeset. Interestingly, this pragmatism influenced the English language as compositors not only set letters, they also selected when to use punctuation, spacing, and line breaks, all of which shaped how text was read and understood. Because movable type requires physical pieces for every character used, punctuation was to be used deliberately as too many commas, colons, em dashes etc. meant more time spent, more metal used, and more space being taken up upon the page. This physical constraint helped standardize English punctuation use and even influenced sentence structure, encouraging clarity and economy in writing which are themes that have endured into the 21st century

The Discovery of Pulsar Stars

Neutron stars were thought to be preposterous when first suggested until 1967 when scientists used radio-antenna telescopes to map the universe. 3 pulses would be unusual, 4 pulses would be phenomenal, but scientists had received pulses from certain parts of the universe 24 hours per day, 7 days per week for months on end. The reason the pulses occurred was because every rotation of the neutron star causes energy to swipe past Earth exactly how light from a lighthouse sweeps light onto the oceans. Scientists first thought the pulses were from aliens until they proposed that the new star had to be denser than any type previously discovered, being the size of a planet but with the power of a star. Astronomers named these new stars “pulsars” and investigated continuously until 1 year later when they found a pulsar, burried deep within the remains of a super local, the pulsar known as the “Crab Pulsar” which is the closest pulsar to Earth. Interestingly, Swiss astronomer Fritz Zwicky had mathematically proven this phenomena 80 years prior but was labeled a hack for his wild theories

The Advent and Evolution of Noodles Within China

The oldest known noodles ever discovered were found in China and date back 4000 years, discovered virtually fully preserved in a sealed bowl buried beneath sediment. These noodles were not made of wheat but rather from millet, which provides insight into early culinary traditions of the ancient world. These millet based noodles were distinct from future varieties which relied upon wheat, reflecting the grains available in ancient China during the period. This discovery demonstrates the early noodle making techniques which became refined over the coming centuries. By 400 B.C., noodles existed across Asia, likely produced by mixing flour and water into a dough. In comparison to the noodles from 400 B.C., which were likely produced using wheat or other grains and kneaded into dough, the 4000 year old noodles appeared to have been hand pulled and stretched into thin strands rather than being cut. By 400 B.C., more structured noodle cutting methods had emerged, allowing for different regional styles and preparations of noodles to develop (e.g. Lamian which is a hand pulled noodle still popular during the modern day, Dao Xiao Mian which is shaved directly from a block of dough, Biang Biang Mian which is known for its wide belt like shape etc.). These discoveries highlight not only the ingenuity of early civilizations but also the evolution of food production and technologies to produce said food. The shift from millet based noodles to flour based dough reflects advancements in milling, agricultural practices, and culinary techniques, demonstrating how food has continuously adapted over time to the resources available to local populations

How Plants Produce Food Via Photosynthesis

If a leaf is magnified 1000x, green bacteria like structures can be observed, referred to as “chloroplasts,” which are packed into virtually every cell of a plant. These chloroplasts behave like bacteria, retaining their own deoxyribonucleic acid, and are only 5000ths of 1 millimeter (0.005 millimeters or 5 micrometers) in diameter. It is inside chloroplasts that photosynthesis occurs. Photons, which are tiny and rapid moving particles of electromagnetic energy (e.g. rays of light), are harvested upon the surface of the plant’s leaves, where they then enter the plant’s cells and are absorbed by the light harvesting complex located within the chloroplasts themselves. It is here that the photon is leveraged to drive the photolysis reaction, which is to split a water molecule and release oxygen, electrons, and hydrogen ions, fueling the energy transfer mechanisms that ultimately convert carbon dioxide into sugars for the plant’s growth and survival

The First Female Sculptor Within Italy During the Renaissance

Properzia de Rossi, who was born in Bologna, Italy in 1490, aspired to become a sculptor and was the first female marble sculptor within Italy during the Renaissance of the 16th century. Although de Rossi left no diaries, fragments of her early work are still available during the modern day. Despite marble sculpting being viewed as a masculine art form during the Renaissance in that it required muscle to perform and an intelligent mind to create, both of which women were not thought to possess during this period. Because of this, de Rossi found her medium in other art forms, most notably her “Madonna of Mercy” within the Grassi Family Crest work which was a silver crest with 11 nectarine buttons which were carved intricately with small images of religious piety. By 1525, aged 35, de Rossi entered a contest for the main cathedral basilica of Bologna, San Petronio, of which she won. The piece was named “Joseph and Potiphar’s Wife” which depicts a fallen women who’s breasts are exposed, rising off of her bed to try and claim her husband as he leaves. It was believed during the period that it was unthinkable for a woman to study the male nude form through nudity. Because de Rossi’s sculptures were so accurate, it was assumed she knew too much of the male form and therefore she was dammed for her talent. In 1530, de Rossi died penniless and alone, a retched end for a great artist who was pushed out of society due to the sheer beauty and creativity of her work. Had de Rossi not been a victim of her time, she would have been celebrated with the most revered male Renaissance artists

The Viking Runic Alphabet

The Vikings used runes upon their grave stones, weaponry, jewelry etc. which is a carved, angular and twisted writing, typically found with some kind of animal like the snake, which the Vikings were particularly fond of. The runic alphabet has 24 letters, nearly as many as the English alphabet which has 26 letters. The runic alphabet was inevitably forced to adapt and expand to 33 letters to produce new sounds, as the Vikings continuously conquered their neighbors and therefore required new ways to converse about these newly conquered lands. Initially, the Viking Elder Futhark alphabet featured 24 runes, but as Viking society evolved, it transitioned into the Younger Futhark alphabet, simplifying to 16 runes before expanding once again during the Medieval period to reflect these new sounds. The reason the runic alphabet is based upon vertical lines is because these were the easiest shapes to carve into stone and wood between the 9th and 11th centuries A.D. with the tools and technologies available to the Vikings within Scandinavia

The Caribbean Village of Biological Males Born Without Male Genitalia

There is a village in the Dominican Republic called Salinas, in which 1 in 90 of the people born are born as males, with testicles, but without a penis, because of misconstrued instructions at birth. In males, the gene on the Y chromosome, specifically the Sex Determining Region Y (SRY), instructs the gonads to become testicles. This leads to the creation of dihydrotestosterone which is a stronger version of testosterone. Dihydrotestosterone transforms the tubercle which all males and females have, into a penis. Females do not make dihydrotestosterone, therefore their gonads become ovaries, and the tubercle becomes a clitoris. Infants perceived as female at birth, due to a lack of dihydrotestosterone during fetal development, later develop a penis during puberty when testosterone triggers penile growth, as it does in typical male development. Those who lack the ability to create dihydrotestosterone, as is the case with those born as males but raised as females in the Caribbean village of Salinas, Dominican Republic where it is common, are technically male, but without a penis, a condition referred to as “5 alpha reductase deficiency”. This condition is quite well accepted in this part of the world and even has a term which is “guevedoce(s)”, (pronounced “guava-doh-chey”) which means “penis/testicles at 12” in Spanish. This condition whilst common in this region of the Caribbean, it is very rare in other parts of the world

The Color of Ancient Egyptian Pharaoh Cleopatra’s Skin

Cleopatra VII, the last ruler of Ptolemaic Egypt, was of Macedonian descent, which makes her Greek, as her family was established by Ptolemy I, a soldier who later became a General within Alexander III’s military force, a person more commonly referred to as “Alexander the Great”. The Ptolemies practiced interfamily marriage, meaning siblings, or more uncommonly cousins etc., as Cleopatra herself married her brother, therefore her ancestry was predominantly Greek. The caveat to this is that the identity of Cleopatra’s mother is unclear, leaving a lot of room for speculation of potential Egyptian as well as other African or regional influences. As for her skin color specifically, historical depictions and recorded texts do not provide clear evidence, but based upon her Greek heritage, she likely had a light olive complexion, common in persons of Mediterranean lineage during the modern day. Cleopatra’s exact skin tone however remains uncertain without genetic evidence as her remains have never been identified and/or located

The Fallacy of French Emperor Napoleon Bonaparte Being Short in Stature

Napoleon Bonaparte was not actually short in stature, in fact he was of average height. This misconception stems from paperwork being written about Bonaparte which states that he was 5’2″, written as 5 pieds 2 pouces within France during the early 19th century, but it was from a French town which used an antiquated unit of measurement referred to as the “French foot”, which classified the imperial measurement of 1′ as 13″ instead of the 12″ which is what 1′ is stated to be within the imperial measurement system. When accounting for this error in transcription, it would appear that Bonaparte was actually 5’7″ which during the last half of the 18th and beginning half of the 19th century when Bonaparte was alive, was considered average, or even slightly above average in regard to the stature of height. The fallacy of Bonaparte being short was exaggerated by English propaganda, particularly satirical cartoons which portrayed Bonaparte as small and temperamental, affixing this image to Bonaparte for centuries and into the modern day

How Wedding Ceremonies Worked Within Europe During the Medieval Period

Medieval weddings were carried out much the same as they are during the modern day with any witnesses present being provided 3 distinct opportunities to object to the marriage with the most common objections being that the parties involved were too close in relation by blood and/or the age of the bride was too young to accept the concept of marriage and/or bare a child. A ring and a piece of gold or silver was placed upon the Christian Bible held by the priest conducting the ceremony, in an effort to have the ring blessed, after which the priest would take the brides right hand and in Latin say “In nomine Patris, et Filii, et Spiritus Sancti. Amen” which means “in the name of the Father, the Son, and the Holy Ghost. With truth” in Latin. The priest would touch each finger, starting with the thumb, after saying each part of the Holy Trinity, ending upon the 4th finger when saying “amen”, which became the finger which the wedding ring was placed upon. It was not uncommon for both men and women to wear their wedding rings on their thumbs or middle fingers until the 17th century as any finger was considered acceptable. After undertaking vows, both the husband and wife would lay down to be covered in a shroud, afterwhich they would arise as a newly married couple. This practice was symbolic of a marriage transforming 2 unique individuals into a single person married to Jesus Christ. Finally, the priest would then kiss both the bride and groom upon their face, typically the cheek, and put the couple to bed to ensure consummation of the marriage, at which point, the marriage ceremony was considered complete