Tag: script

The Cinematic Films With the Least and the Most Dialog

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There are a myriad of films which are famous in large part due to the cast speaking virtually no dialog at any point throughout the film’s runtime. In opposition to this, other films and film franchisees have become renowned for the inverse reason, dialog heavy films characterized by dense character exchanges and storylines driven by dynamic characters and expressive speech. In terms of films with casts who are rather quiet, All Is Lost created in 2013 with Robert Redford stranded at sea had a script that was a mere 31 pages in length with almost no spoken lines, WALL·E, a children’s animated film from 2008 featured 89 lines of dialog (51 by machines and 38 by humans) throughout the entirety of its screen time, 2001: A Space Odyssey, released in 1968, relied heavily upon silence to create dramatic tension, and finally Moebius, produced in 2013, contained no dialog whatsoever. In direct contrast to this and on the other side of that same spectrum, dialog heavy films exist in parallel, with the example of Casino, from 1995 which was extremely dialog heavy with a script of approximately 40,000 words, which is nearly double the average script length, with additional examples available as well (e.g. Dogma from 1999 with a 148 page script, A Few Good Men from 1992 with a 162 page script, John Fitzgerald Kennedy (JFK) from 1991 with a 183 page script etc.). This contrast demonstrates the principle that cinema can thrive in both environments of near silence with only body language, facial expressions, and set and character visuals to carry the story, as well as in rapid fire, constantly evolving, dialog heavy scenarios in which the script becomes the most important piece (or character) of the film

The Reason Islamic Carpet Design is Geometric

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Carpet weaving is thought to have originated in Central Asia more than 2000 years ago, but it was the Islamic culture which shifted it into an art form. Many Islamic traditions have long frowned upon the depiction of sentient beings depicted in western art and because of this, carpet makers created landscapes of bright colors and complex patterns, with the mark of different tribes and ethnic groups recognized by the various dyes and pattern styles utilized. Patterns are so prevalent in Islamic culture because it is a form of expression which is permitted, unlike many others which go against the direct teachings of the Quran. It’s common for patterns to contain an eye somewhere along the line as a protective measure, or a small script to give thanks and praise to Allah, and sometimes even small depictions of hidden meanings like the head of a bird without the rest of its body. Typically, duplicates of the same Islamic carpet are not created, as the artist who created the original design did so because they felt a particular emotion during the creative process and because the same mood is or was not felt during the next carpet, the design is different to reflect the new mood experienced. The golden age of the Islamic carpet occurred during the 17th century when landscape art worked its way into these carpets causing them to become portable gardens of paradise. The images portrayed were not intended to hold a mirror up to nature, but to reflect what human beings value most of nature