The Color of Ancient Egyptian Pharaoh Cleopatra’s Skin

Cleopatra VII, the last ruler of Ptolemaic Egypt, was of Macedonian descent, which makes her Greek, as her family was established by Ptolemy I, a soldier who later became a General within Alexander III’s military force, a person more commonly referred to as “Alexander the Great”. The Ptolemies practiced interfamily marriage, meaning siblings, or more uncommonly cousins etc., as Cleopatra herself married her brother, therefore her ancestry was predominantly Greek. The caveat to this is that the identity of Cleopatra’s mother is unclear, leaving a lot of room for speculation of potential Egyptian as well as other African or regional influences. As for her skin color specifically, historical depictions and recorded texts do not provide clear evidence, but based upon her Greek heritage, she likely had a light olive complexion, common in persons of Mediterranean lineage during the modern day. Cleopatra’s exact skin tone however remains uncertain without genetic evidence as her remains have never been identified and/or located

The Development of Lock Hospitals Within England for Female Sex Workers During the 19th Century

Due to the fact that sexually transmitted infections and diseases were rampant among English soldiers, in 1864 novel legislation entitled the Contagious Diseases Act was passed which permitted any woman suspected of prostitution as young as 13 years of age, to be forcibly examined by a physician. Institutions referred to as “lock hospitals” were established and setup so that women suspected of spreading disease could be detained and examined, and if they were positive in their evaluation, they could then be incarcerated for up to 3 months. It never occurred however to the English government that men could also spread sexually transmitted infections and diseases which is why men were immune from this legislation and a key reason as to why the problem was never resolved. Because of this, in 1886, this legislation was repealed

How Flames Were Artificially Produced for Opera Productions During the 18th Century

During the 18th century within opera and theater productions, stage doors which would lead a character to Hell achieved simulating the flames of Hell with brandy which would be placed into a container and lit on fire due to the fact that during the period, brandy was the brightest glowing flame available because of it’s high alcohol content. Once the brandy was burning bright, a powder referred to as “lycopodium” was blown across the flames to create an intense illumination, creating a fireball of sorts. It was in truth a very dangerous special effect to achieve because of the wooden sets, the actors involved, and the enclosure of the theatre itself. Most of those who performed the pyrotechnics for operas and plays during this period were ex-military, often soldiers who understood how these chemicals worked in depth as rocket technology was at the cutting edge of warfare during the era

The Origin of Valentine’s Day and Valentine’s Day Cards

Although the exact origin of Valentine’s Day is unknown during the modern day, the Catholic Church recognizes 3 different individuals named “Valentine” or “Valentinus”, all of whom were martyred, however it is possible these individuals were the same person. The Ancient Roman priest Valentinus, who lived during the 3rd century A.D., was imprisoned, perhaps falsely, by Ancient Roman emperor Claudius II (Claudius Gothicus). Claudius II legally prohibited marriage for young men, as he believed unmarried men without families made better soldiers. Valentinus may have performed wedding ceremonies for these soldiers covertly, until caught and executed on February 14, 269 A.D.. During his detention, Valentinus fell in love with the prison keepers daughter, a woman possibly named “Julia”, allegedly curing her of blindness. Valentinus signed the final letter he wrote to this woman prior to execution “Your Valentine”. It should be noted, this origin point is not supported by strong historical and/or physical evidence and may have been propagandized by medieval writers to romanticize Valentinus as a Catholic saint

The Ancient Roman Torture Method of the Roman Candle

The term “Roman Candle”, most commonly used within the fireworks industry, is in reference to a horrible execution method used most commonly by the Roman Emperor Nero. Nero would instruct his soldiers to forcibly coat the bodies of enemies and victims within pitch, oil, wax, and other flammable materials before lighting the feet of these victims to be used as human candles during formal parties, purposeful in its design to create the most prolonged and agonizing torture possible

 

The Ecologically Destructive Technique of Blast Fishing and Cyanide Fishing

Blast fishing was introduced in Southeast Asia post World War II, by American soldiers who threw grenades into bodies of water to yield a large cache of fish, a technique which is used  during the modern day to produce fish as a food resource in local markets. Dynamite is often used but any explosive will perform the task effectively, even improvised devices which utilize an explosive chemical within a glass drinking bottle with an improvised wick lit by a cigarette. Cyanide fishing is an ecologically destructive method of catching fish in which a diver takes bottled cyanide and pumps it into reef areas where fish reside, stunning the fish and making them easier to catch, so that they can be extracted for the pet and live fish trades. These techniques result in coral reefs losing their color and ultimately dying, eliminating a major food source for marine life within the region. Both methods are extremely damaging to the ecosystem and left unchecked, can decimate entire ecosystems within a few short years. Portions of and entire coral reefs which have slowly built over thousands of years can be destroyed in a matter of seconds by using either of these harmful techniques. Fortunately, both methods of fishing are illegal in most of Southeast Asia

The First U.S. Presidential Vaccine Mandate

U.S. President George Washington issued the first presidential vaccine mandate, requiring all soldiers within the continental army to become vaccinated against smallpox on February 5, 1777. 90% of deaths during the American Revolution were due to disease, with smallpox being the most prevalent and difficult pathogen for the military to control. Immunization was viewed as an achievable solution to a virtually insurmountable problem as death from smallpox plunged from 30% to 2% after a becomming immunized. Vaccination, or “variolation” as it was referred to during the era, was achieved by taking a small piece of an active smallpox sore from an infected person, and then introducing it to the person being inoculated via inhalation or by scratching their arm and introducing the virus by touch. The mandate, although initially detested, became highly successful in its pursuit of lowering soldier mortality rate, with 40,000 soldiers vaccinated by the end of 1777

The First Advancement of Medieval Gunpowder Technology

To create the earliest form of gunpowder, 3 substances were mixed together which included, sulphur, charcoal, and saltpeter which is comprised potassium nitrate. Because these ingredients have varying specific densities, they constantly separated when mixed, forcing soldiers to re-mix gunpowder after having been transported to the battlefield. By the end of the 15th century, a new technique for the manufacturing of gunpowder emerged, that of corning which made gunpowder much more reliable. Corning involves mixing together the 3 primary ingredients to create a slurry. This is more effective than the traditional method because as the mixture dries, the ingredients do not separate due to their different specific gravities. This acts to increase the stability of gunpowder and allowed cannons to evolve into lethal siege engines no longer governed by the strength of soldiers or the laws of mechanics. Gunpowder, the first chemical explosive ever invented, was the driving force behind the weaponry used against fortifications, hurling projectiles faster, further, and with greater force than previously designed mechanically powered machinery (e.g. trebuchet, catapult, ballista etc.)

The Comparison of Medieval Gunpowder Explosives Toward Modern Day Plastic Explosives

During the modern day, soldiers use plastic explosives to blast through walls, similar to that of the gunpowder powered cannons of antiquity, but different in the sense that they can be directly applied and finely controlled. Despite these differences, the principle of both weaponry remains the same which is to create a powerful burst of kinetic energy to smash apart solid structures. Soldiers with explosive expertise during the modern day plant explosives in a lowercase “i” or “t” shape format by separating the explosives with a gap in the middle. This design ensures the explosive will blow a hole in the top and the bottom of the blast site, as well as the sides in some instances, leveraging the physics of the shockwaves produced to disrupt the wall and weaken it in the middle. Explosive experts don’t attach plastic explosives at the bottom of walls for two distinct reasons, the first being because the foundation upon the other side of the wall which cannot be viewed has the potential to be higher than the foundation facing the impending soldiers, which means that the explosives would be blasting into solid ground soil which is much less effective than blasting into walls made of concrete or otherwise, and the second being that explosives close to the ground create rubble directly next to the hole created, making forced entry more difficult, especially under siege conditions with active enemy combatants attempting to stop the breach. The main difference between Medieval gunpowder and modern day plastic explosive is the amount of material required to produce the same effect as plastic explosives are an entire order of magnitude more powerful than gunpowder, with 2 kilograms of plastic explosive equating to multiple barrels of gunpowder. Explosives are categorized as either “high explosives” or “low explosives” with high explosives having the front of the chemical reaction travel faster than the speed of sound and low explosives having the front of the chemical reaction produced travel slower than the speed of sound. To provide comparison, modern day C4 plastic explosives have a detonation velocity of 8,092 meters per second whilst gunpowder has a detonation velocity of just 171 – 631 meters per second

The Indigenous People of Tanna Island, Vanuatu and Their Religious Cult Honoring and Deifying the U.S. Military

On Tanna Island, Vanuatu, every year on February 15th, residents of the Pacific Ocean island chain engage in a military parade with the term “USA” painted in red or tattooed upon the chest of men who carry large bamboo spears with red tipped, pointed ends, a tradition which began more than 60 years ago, inspired by events which took place during World War II, when the U.S. military descended upon the island with modern machinery and supplies (e.g. canned food and cotton clothing etc.). The native inhabitants were in awe of these technologies which lead them to believe that the Americans were in possession of magic. Science fiction author Arthur Charles Clarke’s Third Law states that “any sufficiently advanced technology is indistinguishable from magic”. When World War II ended, the U.S. closed its bases in Vanuatu and left seemingly overnight, taking their technologies and goods with them. In honor of U.S. soldiers in the hope that it would entice them to return, the indigenous people created a cult which honored those who had appeared from beyond the horizon. These inhabitants started to create replica U.S. military items (e.g. wooden bandolier designed to mimic artillery shell bandoliers, straw aircraft, U.S. military insignia shoulder patches denoting rank which are painted onto skin etc.). Virtually all religions begin with a miraculous event (e.g. comet in the sky fortelling of calamity) followed by the creation of monuments which exemplify the event observed (e.g. large statue of the Buddha as a deity). Religions developed by cultures which worship other beings which have descended upon them are often referred to as a “cargo cult”