The Period When Classical Artwork Transitioned From 2 Dimensions (2D) to 3 Dimensions (3D)

Art broke away from being two dimensional caricatures with the invention of the camera obscura which had the painter sit in a dark room, with the window blocked out with a small hole in it. Doing so would cause the image outside the window to be projected into the room of the painter and onto the canvas, which could then be traced. The image, as with cameras and the human brain is brought in upside down, so the painter would be forced to trace upside down. During the Tudor period, lenses were developed for the first time which allowed artists to learn to paint with realism because after tracing and creating the minute details of each face correctly, they could focus on light and shadow. The camera obscura acted as a starting point to stencil a face. Boards were put down the back of the person sitting so that they would sit perfectly still allowing the painter to sketch them in perfect render. This technology acted effectively the first camera and in that, the first glimmer of Renaissance artwork

Tudor Period Mining and Metal Smelting

During the Tudor period, lead was utilized to build roofs and windows because it was easily mailable and resistive to corrosion. Farmers would mine for lead during the summer months when their crops did not need tending to in order to generate additional income. Mining during the summer months could earn an extra £5.00 which equates to £25,000 as of 2012 when accounting for inflation. Entire families often worked within the mines because 50 barrels worth of ore and soil would be extracted per day to meet the quota of what was required to be profitable. Smelting involved the use of white coal which is effectively dried wood from a kiln and was always setup upon windy hilltops or mountains because the wind would cause the fire blaze with more intensity therefore reaching higher overall temperatures. The best wood to make white coal is oak. Kilns must be airtight, so gaps were filled with clay. Knowing a kiln to be airtight was easily verifiable by searching for smoke as if smoke only came out of only the front entrance, the kiln was considered airtight. Ore was smashed into small pieces to help it smelt more rapidly which yielded approximately an 80% return upon investment. Metals were then refined using a secondary kiln, and smelted to remove any ash or impurities. The first burn removes ore from the rock, and the second burn removes impurities with the main impurity being sulphur. Molds were constructed using sand and wood to create divots which allowed the ore to be molded into blocks much the same as a modern day bar of gold. The sand gives the mold an indentation which archeologists use to identify Medieval bars of smelted ore