The classic cowboy motif of two gritty outlaws squaring off at high noon in the middle of the street is a fallacy. Street duels directly related to the American West have only occurred 5x – 10x from 1860 – 1900. The most well renowned high noon dual and the inspiration for much of the cowboy genre aesthetic within Hollywood cinema was in 1865, a standoff between Bill Hickok and Davis Tutt in Springfield, United States of America. This particular dual inspired over a century of cinematic exaggeration and hyperbole within the film genre. In reality, most gunfights within the American West during the 19th century were spontaneous, chaotic, and rarely honorable (e.g. ambushes from behind saloon doors or shootouts from areas with ample coverage etc.). Whilst Hollywood would later romanticize these rare dual encounters, the cowboy lifestyle day to day was far more rugged and utilitarian than it is depicted within media. Cowboys were working class laborers, much like agricultural workers of the modern day, they were often young, diverse in background, and driven by necessity of survival rather than personal glory. These men and women spent long days upon horseback herding cattle across a vast and unforgiving landscape, contending with harsh weather cycles, animal stampedes, and the constant threat of injury via animal or human being. The cowboy period of American history, although brief, played a vital role in shaping the economic and cultural landscape of the American frontier