
During the 18th century within opera and theater productions, stage doors which would lead a character to Hell achieved simulating the flames of Hell with brandy which would be placed into a container and lit on fire due to the fact that during the period, brandy was the brightest glowing flame available because of it’s high alcohol content. Once the brandy was burning bright, a powder referred to as “lycopodium” was blown across the flames to create an intense illumination, creating a fireball of sorts. It was in truth a very dangerous special effect to achieve because of the wooden sets, the actors involved, and the enclosure of the theatre itself. Most of those who performed the pyrotechnics for operas and plays during this period were ex-military, often soldiers who understood how these chemicals worked in depth as rocket technology was at the cutting edge of warfare during the era



The Iban people of Sarawak, Malaysia practiced head hunting until the middle of the 20th century. Iban warriors were infamous within the region for decapitating their conquered victims to save the head as a trophy. Heads were strung and hung together at the top of the loadbearing posts of the long houses which the Iban continue to live in during the modern day, housing up to 25 families in a single building. Every month the Iban light small candles or fires below the hanging skulls to keep them warm because if they do not, they believe the spirits of the vanquished enemies will come back to haunt the dreams of the Iban. This practice was used as a right of passage and milestone mark for young Iban men throughout history, with young warriors forced to kill an enemy within the jungle and then bring the head of that enemy back to their home in order to bless it for everyone in the community. It was also common practice for Iban women to carry these skulls up and down the veranda of the longhouse to signify celebration for the bravery of the males of their family
