The Symbolism of the Islamic Garden

Islamic gardens act as symbolic representation of the archetypal eternal heavenly garden, an attempt to provide a small peak into what could potentially wait for a person in the afterlife. Repetition of geometric shapes in Islamic gardens help to emphasize the link between the physical world and thereafter. Circular fountains represent Jannah, the Islamic representation of heaven, as the circle is symbolic of heaven. The square is always utilized as a symbol of the Earth, with circular fountains often found within square indentations to act as a metaphor for heaven and Earth meeting. The term “Jannat-al-Firdaws” which means “Garden of Paradise” in Arabic, is mentioned many times throughout the Quran, with Chapter 55 of Surat al-Rahman (pronounced “suu-rat al rack-man”), which means the “all merciful” in Arabic, holding the best and most descriptive accounts of what this garden truly would look like if experienced. Water plays a crucial role in these accounts, with multiple layers of symbolism for life present which is why water is the most important element within an Islamic garden as it is symbolic of the soul. Rain was and continues to be viewed as a merciful gift from heaven within Islamic culture as Islam stems from one of the hottest regions in the world. Water is essential to Islam and an Islamic paradise garden cannot exist without the incorporation of water to some degree. Islamic gardens are separated into 4 specific quadrants because of the “chahar bagh” (pronounced “cha-harr bahh”) which means “4 gardens” in the Persian language of Farsi, directly related to the 4 rivers of paradise, including a river of milk, honey, wine, and water, an order and harmony which underlies everything within an Islamic garden

The Reason Islamic Carpet Design is Geometric

Carpet weaving is thought to have originated in Central Asia more than 2000 years ago, but it was the Islamic culture which shifted it into an art form. Many Islamic traditions have long frowned upon the depiction of sentient beings depicted in western art and because of this, carpet makers created landscapes of bright colors and complex patterns, with the mark of different tribes and ethnic groups recognized by the various dyes and pattern styles utilized. Patterns are so prevalent in Islamic culture because it is a form of expression which is permitted, unlike many others which go against the direct teachings of the Quran. It’s common for patterns to contain an eye somewhere along the line as a protective measure, or a small script to give thanks and praise to Allah, and sometimes even small depictions of hidden meanings like the head of a bird without the rest of its body. Typically, duplicates of the same Islamic carpet are not created, as the artist who created the original design did so because they felt a particular emotion during the creative process and because the same mood is or was not felt during the next carpet, the design is different to reflect the new mood experienced. The golden age of the Islamic carpet occurred during the 17th century when landscape art worked its way into these carpets causing them to become portable gardens of paradise. The images portrayed were not intended to hold a mirror up to nature, but to reflect what human beings value most of nature