The Carrington Event of 1859

On September 1st and September 2nd in 1859 the Carrington Event occurred. English Astronomer Richard Carrington was reviewing an image of the sun when he noticed a bright flash upon the imagery. Carrington did not know what this anomaly was but soon learned first hand as approximately 20 hours later, chaos ensued. 200,000 kilometers of telegraph wire across the world collapsed, plugged in electrical items began to arc and produce power even when unplugged, batteries recharged without a power source, compass needles went haywire, and the Aurora Borealis could be viewed all across the world, in places which would never normally bare witness to such an event (e.g. Cuba and India etc.). This incident will inevitably occur again which is why the U.S. government is constructing the Thirty Meter Telescope upon Mauna Kea at an altitude of 10,000 and the reason the Parker Solar Probe was sent to the sun in 2018. Mauna Kea means “white mountain” in ʻŌlelo Hawaiʻi, the Hawaiian language. The rational of the U.S. government is that the Carrington Event affected the world greatly when electricity was in its infancy, therefore how much greater would it affect the modern world with the knowledge that many objects during the modern day are connected to the internet and/or are electrical in some capacity. The Carrington Event is the first mass coronal ejection reported in history

The Period When Classical Artwork Transitioned From 2 Dimensions (2D) to 3 Dimensions (3D)

Art broke away from being two dimensional caricatures with the invention of the camera obscura which had the painter sit in a dark room, with the window blocked out with a small hole in it. Doing so would cause the image outside the window to be projected into the room of the painter and onto the canvas, which could then be traced. The image, as with cameras and the human brain is brought in upside down, so the painter would be forced to trace upside down. During the Tudor period, lenses were developed for the first time which allowed artists to learn to paint with realism because after tracing and creating the minute details of each face correctly, they could focus on light and shadow. The camera obscura acted as a starting point to stencil a face. Boards were put down the back of the person sitting so that they would sit perfectly still allowing the painter to sketch them in perfect render. This technology acted effectively the first camera and in that, the first glimmer of Renaissance artwork

Ansel Adams’ Genius and Process

The American photographer Ansel Adams pushed the mechanical process of photography into an art form during the 1920’s. Adams’ method was to work backward from the image he had visualized within his mind and then anticipate the moment when the light and subject could be seen at their most illuminating. During Adams’ day, color photography was considered crass, as color photography was thought not to contain nuance and the subtlety which matched the real world. Black and white photography allowed for a beautiful range of tonalities which was abstract but still considered to be realism artwork during the period. Today, with much more sophisticated technology and color materials, the world can be photographed accurately with many different nuances. Ironically, black and white now appears as an abstract artistic medium in comparison to full color photographs