The Origin of the Ku Klux Klan Uniform

Surprisingly, it was not the Ku Klux Klan that created the insignia of the ghostly white hooded robe as the uniform of the Ku Klux Klan as Hollywood was the first to portray this ensemble in the 1915 film The Birth of a Nation. The film was directed by David Wark Griffith, who wanted to portray the infamous Ku Klux Klan as modern Knights of the Round Table, directing his costume department to invent a rather frightening, single piece outfit with knight insignia (e.g. the Knights Templar crucifix etc.). These costumes were based upon the Christian flagellant society of Spain, who donned the capirote (pronounced “kah-pee-row-tay”), a pointed hooded headware worn during Easter processions as a means of penance. The costume became immensely popular and could be ordered from a catalog which Griffith setup to sell within. Shortly afterward, the Ku Klux Klan adopted these textiles as their official uniform

The Turin Shroud of Christianity

The Turin Shroud which is believed by Christians to have been wrapped around Jesus Christ after his death and to have been left behind by Christ post-resurrection, is approximately 14’6” long by 3’6” wide and bears the mysterious image of the full front and back of a man, a person who appears to have met a violent death. The Turin Shroud negative image was stumbled upon by amateur photographer Secondo Pia in 1898 whilst taking the first archeological photographs of the shroud. Today, the Turin Shroud is kept within the royal chapel of the Turin Cathedral in Italy, under lock and key in a climate controlled, bulletproof encasing. The Catholic Church allowed scientific examination of the Turin Shroud in 1978 and in 1988, but the piece is rarely placed on display for the public, with the last showing drawing over 2,000,000 (2 million) people in 2015. Blood samples found upon the Turin Shroud found that whoever supplied it had blood type AB, a rare blood type found only in 3% of the population, however more common in the Middle East. Much of the skepticism related to the Turin Shroud stems from the fact that it was not historically documented and recorded until nearly 1400 years after the death of Christ, during the Medieval period in 1349. It is suspected that the Turin Shroud could have belonged to the last grandmaster of the Knights Templar, Jacques de Molay. After being arrested by Philip IV, the then king of France, de Molay was tortured, had a crown of thorns placed upon his head, and was then crucified in 1314. Scientists have theorized that because de Molay was wrapped in a long piece of cloth, the lactic acid built up during torture as well as de Molay’s own blood mixed with the frankincense which was used to keep the cloth white, provided an imprint after his death. The last known historical description and image of de Molay actually matches quite well with the image on the Turin Shroud, both images depicting a male with a large nose, shoulder length hair parted in the center, a crown of thorns, and a full beard