The Advent of Oil Paint Storage Changing Artwork and the First Artist to Begin Painting Outdoors

Tubed oil paint became available in 1841, superseding the traditional methods of storing paint in pigs bladders and glass syringes, which made traveling to a location and/or painting outside, suddenly possible, so that aspects of light and shadow would not have to be manufactured as with classical paintings, but rather they could be painted exactly as the artist laid witness to them. Claude Monet was the first Impressionist artist to start painting outdoors during the mid 19th century, often painting in the public’s view, outdoor scenery like The Manneporte which he painted in 1885

The Defiant American Natural Landscape Art Form and Luminism

Artists in the America’s who continually pushed further west, pioneered the technique of “luminism” which used light effects and concealed brush strokes to create paintings which were considered so overwhelming detailed that opera glasses were needed to fully appreciate their true beauty. The American landscape was psychologically bore out of feelings of inferiority and competition with the European continent, as the Americas at this time were not the industrialized indomitable power they are today, but rather a fairly poor country still developing itself and not yet having reached the same milestones which Europe had already accomplished. During the 18th and 19th century, those living in the Americas rejected the notion that Rome, Italy was the center of art and that the best landscapes with the highest and most spectacular mountains were only found in places like France and Switzerland, as the west had its own mountains and its own unique monoliths and animals which could be depicted and celebrated to create American pride within the American landscape

Chinese Landscape Painting

Landscape painting came into itself during the 10th century in China and by the 11th century, the art form had inlaid deep roots into the Song Dynasty and Chinese culture as a whole. Painting academies were established and books were written about the philosophy and practice of landscape art. It was believed by the Chinese that to be Chinese was to be civilized and to be civilized was to paint. While Europe was in the depths of the Dark Ages, and the Mayan civilization in Central America was collapsing, the Chinese were trading in paper money and developing and using advanced technologies like gun powder. Prospective Chinese bureaucrats were expected to demonstrate artistic talent by taking and passing examinations in calligraphy before being able to serve in government roles

German Chancellor Adolf Hitler’s Perverted View of the Arts 

Adolf Hitler attempted to become a watercolorist painter during his early adult life and attended art school. Hitler dropped out and became a politician but he continued to have a deep fascination and appreciation of artwork and architecture, however he harbored strong disdain for modern art. While imprisoned for attempting to challenge the German socialist political party in power at the time, Hitler wrote a manuscript which served as a blueprint for a new kind of German society, and in this manifesto he characterized modern art as a toxic moral plague upon society, pestilence sent by Russian communists and sold by Jewish art dealers to infect Germany with cubism, and other forms of Bolshevist viewpoints

English Prime Minister Winston Churchill Painting and Writing

Winston Churchill took up painting in his middle age, and painted over 500 canvases during the last 50 years of his life. Churchill preferred to paint bright landscapes and dark portraits. Churchill worked as a government minister during World War I, and played a crucial role in spearheading the Dardanelles campaign which unfortunately failed miserably causing over 200,000 allied soldiers to lose their lives. Churchill soon after resigned from his position within the government and enlisted in the British military to go and fight on the Western Front. It was in the brief interlude between enlisting and visiting the Hell of Flanders, that Churchill began to paint. Churchill struck and maintained friendships with many painters who he spent time learning techniques from. Churchill hated being disturbed whilst painting and was one to bellow out at whoever was barging in, including his beloved grandchildren. Churchill was born to the aristocracy but never had much income of his own, yet he dreamed of becoming a millionaire. Churchill wrote many short stories and journals amongst other publications but only 1 fictitious romantic novel called “Savrola”, which was written in his early 20’s. The book garnered terrible reviews which forced Churchill to recede back into writing non-fiction. Churchill only painted on a single occasion during World War II, which he did in Marrakech, Morocco. Churchill brought Franklin Roosevelt and gave him the painting he created as a gift