Category: Kalology

The Origin of the Piggy Bank

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During the 15th century, the English would often store coins within pygg pots or containers. During the 18th century these vessels became referred to as “piggy banks” which is where the modern day term is derived from. Piggy banks were called as such because of the pygg they were comprised of which is a type of clay, an inexpensive, orange colored earthenware clay used to produce everyday vessels within England from the 15th century onward (e.g. pitchers, cups, pots etc.). The primary reason for this is that metal has been costly all throughout history, due to the difficulty of sourcing and producing it from ore, and because of this expense, alongside the fact that pygg is more commonly available and found in larger quantities throughout England, the English public relied upon pygg containers to hold not only food and liquids but also spare coins and other small treasures

The Status Symbol of Keys Within the Ancient Roman Empire

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Metal keys first appeared during the Ancient Roman Empire and were viewed and often flaunted during the period as an indicator of wealth and/or elevated social status, as Ancient Roman keys were typically comprised of bronze or iron, occasionally worn as decorative jewelry (e.g. rings, bracelets, belt attachments etc.), and used primarily to secure high value items (e.g. jewelry boxes, document cases, coin chests etc.) making them both functional tools but also visible reminders of social status and income. Because only the wealthy could afford metal keys within the Ancient Roman Empire, lower socioeconomic classes relied upon more simplistic, wooden lock mechanisms and in many cases left valuable possessions unsecured entirely. Some Ancient Roman keys featured intricate designs (e.g. animal motifs and geometric patterns etc.), personalized and designed to reflect the predilections of the owner of the key and the lock it is designed for. The Latin term for key, which is “clavis”, evolved and came to mean “code” or “solution” over time, which is notable because it demonstrates the period when physical access and security and intellectual access and security became conceptually correlated with one another. Archaeologists and historians have recovered metal keys from Ancient Roman villas, balneae (pronounced “bahl-neh-eye”) which are bathhouses, and burial sites, often discovered alongside personal items (e.g. grooming tools, coins, small religious tokens etc.). The modern day concept of personal security and having exclusive access to one’s belongings and/or information traces its origins back to these early locking mechanisms and keys as what began as a practical intervention for safeguarding valuables laid the foundation for the modern day systems of privacy, ownership, and controlled access to sensitive and/or valuable information or objects

The Reason Giants Cannot Physically Exist Upon Earth

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If volume and weight are both calculated as 1 unit, when a cube is made 1 x 1 x 1 when accounting for its length, width, and height, and 1 when accounting for its weight, the entire cube is in equal proportion; a concept referred to as a “unit cube” called as such because each of its dimensions (e.g. height, width, length etc.) are 1 unit in length. This changes however when doubling the cube in size and weight. When doubling the cube to 2 x 2 x 2 when accounting for its length, width, and height, the weight does not move in lockstep, because it becomes 8x (2 x 2 = 4 x 2 = 8). This fundamental mathematical principle referred to as the Square Cube Law, explains why as animals become bigger on land, life becomes exceedingly difficult because of the need to maintain and support the large weight associated with such large stature. As animals become more massive, the effect of gravity places an increasing role in their lives. The shape and form of the body is forced to change. Bones become more massive to scaffold their large bodies. This is why the largest animals on the planet are found within the Earth’s oceans as being within water is a way to circumvent this outcome and helps explain why as animals become larger upon land, life becomes exceedingly difficult because of the need to maintain an appropriate structure and weight associated with such large sizes. This principle also explains why the concept of a giant (e.g. mythology etc.) is physically problematic as if a human being were scaled up proportionally to twice their normal height, their volume and weight would increase 8x, whilst the strength of their bones and muscles would not scale at this same rate. The result would be a life form whose own mass would overwhelm its skeletal structure, making movement, balance, and even basic survival virtually impossible without some form of environmental and/or structural intervention and compensation

The Anthropomorphism of Satan

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Early Christians did not personify Satan, in fact it was not until the Medieval period that Satan became anthropomorphized into the image which is commonly understood during the modern day (e.g. red skin, horned head, tail etc.). Initially, Satan was predicated upon pagan mythological figures who Christian’s then viewed as demons and/or part of a larger demonic evil outside the boundaries of Christianity. Prior to this, there was no consensus among artists and theologians as to how Satan should be depicted within religious artwork. Often throughout history, Satan has been illustrated as a blue angel, a male figure with blue skin and white hair. The color blue was chosen as it is symbolic of the night and the unknown, adding emotional and spiritual ambiguity, intended to inspire fear not through grotesquery but rather through an uncanny yet elegant emulation. In addition to this portrayal, Satan has also been represented as a figure with 3 goats, designed as a direct counter balance to Jesus Christ who is often portrayed within religious artwork in possession of 3 lambs which represent humanity. More specifically these 3 lambs represent purity, sacrifice, and redemption. In contrast to this, the 3 goats of Satan were meant to represent demonic entities, more specifically rebellion, deception, and spiritual corruption. This triadic symbolism was intentional as it created a theological and visual counter weight for Christ, casting Satan not only as the antithesis of Christ, but as a distorted reflection of him within the mirror of divine structure and purpose

The Origin of Google’s Name

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Google’s original name was “BackRub”, a reference to its early algorithm which analyzed backlinks to assess their importance. Backlinks are the hyperlinks pointing to webpages on the internet (e.g. navigation from one website to another etc.). Developed at Stanford University in 1996 by Larry Page and Sergey Brin, BackRub laid the foundation for PageRank, the ranking system which would later power the Google search engine. As the project matured, Page and Brin began to recognize and understand that the name BackRub did not reflect the vast scope of their ambitions for the company as the duo wanted a name that could capture the enormity of the data their engine could and eventually would process. This is why the name “Google” was chosen in 1997. Interestingly, during a domain search for “googol.com”, a mathematical term which represents 10¹⁰⁰ (10,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000 or 1 with 100 0’s after it) the friend who registered the domain name for Page and Brin accidentally typed “google.com” instead of “googol.com”. Originally this was an error but Page and Brin believed the misspelling to be simpler, more memorable, and visually cleaner therefore deciding to keep the name as it was

The Origin of Uppercase and Lowercase Letters and the Influence of Typesetting Upon the English Language

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The term “uppercase” and “lowercase” in relation to alphabet letters was derived during the Victorian period within England. Advertising was highly prominent during the 19th century and used ubiquitously by businesses. The poster makers who would serve these businesses would use letters which were essentially stamps, dipped into thick, viscous, oily ink, specifically formulated this way to cling to and transfer cleanly onto coarse paper which was designed to be rough so that it could absorb as much ink as possible. Compositors, which was the name for this particular vocation during the 19th century, would keep their letters in a type case with large letters at the top and small letters at the bottom. The letters were kept in what was effectively a suitcase which did not close which is where the terms “uppercase” and “lowercase” originated from, as the letters were stored in either the upper portion of the type case or the lower portion of the type case. Each individual letter, a block referred to as a “sort”, was cast in metal and crafted backward to be arranged by hand by a skilled craftsperson. The layout of the case, with capital letters in the upper section and lowercase letters in the bottom, was highly pragmatic, as it positioned the most often used letters at the bottom closer to the person setting the typeset. Interestingly, this pragmatism influenced the English language as compositors not only set letters, they also selected when to use punctuation, spacing, and line breaks, all of which shaped how text was read and understood. Because movable type requires physical pieces for every character used, punctuation was to be used deliberately as too many commas, colons, em dashes etc. meant more time spent, more metal used, and more space being taken up upon the page. This physical constraint helped standardize English punctuation use and even influenced sentence structure, encouraging clarity and economy in writing which are themes that have endured into the 21st century

The Discovery of Pulsar Stars

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Neutron stars were thought to be preposterous when first suggested until 1967 when scientists used radio-antenna telescopes to map the universe. 3 pulses would be unusual, 4 pulses would be phenomenal, but scientists had received pulses from certain parts of the universe 24 hours per day, 7 days per week for months on end. The reason the pulses occurred was because every rotation of the neutron star causes energy to swipe past Earth exactly how light from a lighthouse sweeps light onto the oceans. Scientists first thought the pulses were from aliens until they proposed that the new star had to be denser than any type previously discovered, being the size of a planet but with the power of a star. Astronomers named these new stars “pulsars” and investigated continuously until 1 year later when they found a pulsar, burried deep within the remains of a super local, the pulsar known as the “Crab Pulsar” which is the closest pulsar to Earth. Interestingly, Swiss astronomer Fritz Zwicky had mathematically proven this phenomena 80 years prior but was labeled a hack for his wild theories

The Advent and Evolution of Noodles Within China

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The oldest known noodles ever discovered were found in China and date back 4000 years, discovered virtually fully preserved in a sealed bowl buried beneath sediment. These noodles were not made of wheat but rather from millet, which provides insight into early culinary traditions of the ancient world. These millet based noodles were distinct from future varieties which relied upon wheat, reflecting the grains available in ancient China during the period. This discovery demonstrates the early noodle making techniques which became refined over the coming centuries. By 400 B.C., noodles existed across Asia, likely produced by mixing flour and water into a dough. In comparison to the noodles from 400 B.C., which were likely produced using wheat or other grains and kneaded into dough, the 4000 year old noodles appeared to have been hand pulled and stretched into thin strands rather than being cut. By 400 B.C., more structured noodle cutting methods had emerged, allowing for different regional styles and preparations of noodles to develop (e.g. Lamian which is a hand pulled noodle still popular during the modern day, Dao Xiao Mian which is shaved directly from a block of dough, Biang Biang Mian which is known for its wide belt like shape etc.). These discoveries highlight not only the ingenuity of early civilizations but also the evolution of food production and technologies to produce said food. The shift from millet based noodles to flour based dough reflects advancements in milling, agricultural practices, and culinary techniques, demonstrating how food has continuously adapted over time to the resources available to local populations

How Plants Produce Food Via Photosynthesis

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If a leaf is magnified 1000x, green bacteria like structures can be observed, referred to as “chloroplasts,” which are packed into virtually every cell of a plant. These chloroplasts behave like bacteria, retaining their own deoxyribonucleic acid, and are only 5000ths of 1 millimeter (0.005 millimeters or 5 micrometers) in diameter. It is inside chloroplasts that photosynthesis occurs. Photons, which are tiny and rapid moving particles of electromagnetic energy (e.g. rays of light), are harvested upon the surface of the plant’s leaves, where they then enter the plant’s cells and are absorbed by the light harvesting complex located within the chloroplasts themselves. It is here that the photon is leveraged to drive the photolysis reaction, which is to split a water molecule and release oxygen, electrons, and hydrogen ions, fueling the energy transfer mechanisms that ultimately convert carbon dioxide into sugars for the plant’s growth and survival

The First Female Sculptor Within Italy During the Renaissance

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Properzia de Rossi, who was born in Bologna, Italy in 1490, aspired to become a sculptor and was the first female marble sculptor within Italy during the Renaissance of the 16th century. Although de Rossi left no diaries, fragments of her early work are still available during the modern day. Despite marble sculpting being viewed as a masculine art form during the Renaissance in that it required muscle to perform and an intelligent mind to create, both of which women were not thought to possess during this period. Because of this, de Rossi found her medium in other art forms, most notably her “Madonna of Mercy” within the Grassi Family Crest work which was a silver crest with 11 nectarine buttons which were carved intricately with small images of religious piety. By 1525, aged 35, de Rossi entered a contest for the main cathedral basilica of Bologna, San Petronio, of which she won. The piece was named “Joseph and Potiphar’s Wife” which depicts a fallen women who’s breasts are exposed, rising off of her bed to try and claim her husband as he leaves. It was believed during the period that it was unthinkable for a woman to study the male nude form through nudity. Because de Rossi’s sculptures were so accurate, it was assumed she knew too much of the male form and therefore she was dammed for her talent. In 1530, de Rossi died penniless and alone, a retched end for a great artist who was pushed out of society due to the sheer beauty and creativity of her work. Had de Rossi not been a victim of her time, she would have been celebrated with the most revered male Renaissance artists