China has become highly adept at spreading its practices or at the very least, acquiring acceptance and tolerance of its practices, throughout the open markets of the world (e.g. American companies willing to do business with Chinese companies to access the Chinese marketplace despite the U.S. government experiencing continuous conflict with the Chinese government). Hollywood is perhaps the best example of this ideology taking shape. Hollywood’s business and by extension its profit model, is designed to produce blockbuster cinema for the box office, at regular intervals throughout each calendar year (e.g. for each holiday season etc.). China, due to its large population, has the worlds largest box office and as a direct result of this, in order to ascend to the level of becoming a major blockbuster film, movie studios are forced to capitulate and cooperate with the Chinese Communist Party. The Chinese government heavily censors cinema in China, however despite this, Hollywood movie production studios virtually always refuse to green light film scripts if they cannot be shown in China. This effectively means that the Chinese government has the ability to, and openly does, influence and shape the kinds of movies produced in the west simply by omission or refusal to accept a movie and its content. This means that in the future, China will become the cultural connoisseur and decision maker for the world, both in supply and demand of products and services (e.g. new films), solely due to the volume of the Chinese public and its appetite for western cinema